I like how Hogarth talks about light- I mean, he's pretty good at explaining the features he's pointing out, but I also just enjoy how much he enjoys it. Some solid illustration advice here, with well-chosen black-and-white examples. The only thing is that I wish it had at least one section on color, or at least have some of the paintings in color. Then I would look up how Hogarth describes it in the book, and use it as a guide for my own drawing. Then I would decide what kind of light I would like. Study the drawings and pay attention to what Hogarth points out to you.Īs an example of the way I would utilize this, first I would plan out a painting or drawing.

For this book, it's best to just read through it and absorb as much as you can. In the other books Dynamic Anatomy, Dynamic Figure Drawing) you could draw the images and learn. Then I w This book is excellent, but for very different reasons than Hogarth's other art instruction books. As an example of the way I would utilize this, first I would plan out a painting or drawing. Study the drawings and pay attention to what Hogarth points out to you.

This book is excellent, but for very different reasons than Hogarth's other art instruction books. Moving on to more complex lighting effects, Hogarth explains spatial light - how light and shade can create a sense of 'near and far' environmental light - the effects of weather, time of day, and the changing of seasons textural light - how light reveals the surface qualities of forms that range from rough stone to silk and satin draperies transparent light - the effects passing through transparent materials like glass and water, and translucent substances like moving water or sailcloth fragmentation light - the disrupted light we see in such subjects as fire, rain, and flying snow radiant light - the intense light we see when we look into the light source itself, which may range from the sun to a candle flame and finally the various kinds of expressive light invented by the artist - such as the symbolic and mystic light of religious art, or the paterns of light and shade that convey a mood or a psychological state.īurne Hogarth illustrates every effect of light and shade with brilliant drawings in pencil, charcoal, carbon, pen and ink, and brush and ink, encouraging the reader to experiment with diverse drawing media.ĭynamic Light and Shade is an essential volume for everyone who draws and paints.more In these chapters Hogarth illustrates the effects of these different kinds of light on a variety of subjects and examines both natural and artificial light sources. He then shows how the silhouette is transformed into three dimensions with the addition of minimal light - the highlight.įollowing these instructory chapters, Hogarth devotes a separate chapter to each of the given basic categories of light and shade: single-source light double-source light flat, diffused light moonlight and sculptural light. Hogarth begins with the simplist kind of light and shade, showing how a dark silhouette on white paper can communicate form and space. Here is the first book on this essential subject, the product of years of study by one of the world's great teachers of drawing and an artist of international renown, Burne Hogarth. Hogarth begins with the simplist kind of light and shade, Mastery of light and shade - rendered with accuracy and expressive power - is the key to three-dimensional form in drawing and painting.

Mastery of light and shade - rendered with accuracy and expressive power - is the key to three-dimensional form in drawing and painting.

Dynamic light and shade burne hogarth